Holy mackerel! “Lost” literally went out with a bang and a flash of white last night, leaving us to ponder for months the meaning of the richest episode of the season. I loved “The Incident” but hated all the commercials (well, all except for the clever Mac-PC ones). The constant barrage of ads thrown at us at inopportune moments (especially when Sawyer was sobbing over the apparent loss of Juliet) was almost criminal. ABC, you’ve gone too far; this is not the Super Bowl! We may be a captive audience, but we’re not stupid. For next year’s finale, please get a sponsor for the entire two hours who will only have commercials at the beginning and end of the episode. Or we might have to sic the bogus John Locke on you!
My neighbor Sylvia hates when “Lost” adds new characters to a show, but I think Jacob and an unnamed man (perhaps Esau?), who by the end of the episode could be called the bogus Locke, will add to our understanding of what the heck is going on. The mysterious Jacob visited Kate, Sawyer, Jack, Sun, Jin, and Locke before they came to the island, and Sayid and Hurley after they had returned home, literally touching them at critical times in their lives (probably even bringing Locke back to life after he was pushed out the window by his no-good father). It was no coincidence that these people were meant to be on this island.
Meanwhile, the other guy we see in the opening scenes seems bent on killing good, kind Jacob and must look for a loophole to fulfill his desire. That “loophole” turns out to be Locke, as we discover that Locke really is dead by Ben’s hand off-island, with the evil guy taking over his body. As he might have done with Jack’s dad and Claire. Spooky stuff!
Should we pause for a commercial now?
A couple of loose ends that were neatly tied into a bow were the fates of Vincent the dog and Rose and Bernard. Last time we saw them, they were separated from Sawyer’s group as flaming arrows rained down upon them. We find out all three have been living in a modest hut near the beach, happy as clams. That was a moment of levity in what was otherwise a heavy, action-packed show.
We also finally discovered what was in the crate that Ilana and her gang were so protective of: John Locke’s body straight from the coffin. Glad the embalming fluid was still working! Seeing our familiar Locke dead made us realize that the writers had put one over on us—the new Locke isn’t Locke at all! Instead, this was Loophole Locke, who used Ben to kill Jacob.
Meanwhile, the battered and bloodied Juliet, who was dragged into the Swan’s drill hole by the electromagnetic pull on a heavy metal chain that had become wrapped around her, is at the bottom of the hole, face to face with the hydrogen bomb’s plutonium core, which had failed to detonate. Good thing there was a rock right by her! She picks it up and bashes at the core. The scene turns to white, and that’s all she wrote for 2009.
And that fade to white ending? Perfect . . . and chilling! We’ll be counting down the months, and then the weeks, and then the days, and finally the minutes until the final season begins in 2010.
Why I’m a “Lost” fan
“Lost” definitely makes us think—it’s not for the casual viewer. Nothing seems to be just laid out for us in black and white; it’s all the shades of gray that baffle us and have caused better minds than mine to try to decipher every nuance in every episode. We’re confused, but darn it, we’re intrigued! We’ve bought into the time travel, wormholes, back-and-forth timelines (what year is it now?)—we’ve invested in the entire package. Our hope is that at the end of next season, the show’s last, we’ll bask in a satisfying conclusion that ties up all the loose ends and makes sense out of the whole shebang.